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Artist: Utada Hikaru Product code: UICL-1088 Release date: 2009.03.14 (JP), 2009.05.30 (US) Highest Ranking: #3 Oricon, #69 Billboard 200 Label: Island Records US Version: 3 Bonus Tracks |
With the Japanese market completely wrapped around her finger, J-pop sensation, Utada Hikaru, has been seen to frequently flaunt her creative flair in her music. Having dominated the Oricon charts with virtually every venture during her initial five year tenure, Utada finally decided to break into the American music scene with her first English album, Exodus. Her uninhibited, audacious approach to its production led to an album which despite being fresh, was rather difficult for American audiences to accept and ultimately led to its downfall. Undeterred, five years later, Utada returned for another foray in the American market with her now mainstream-focused, aptly titled, This Is The One.
This Is The One raised high expectations, featuring famed producers Stargate and C. “Tricky” Stewart. With such big names involved in what was expected to be a straight forward, R&B album, one could almost be forgiven for expecting an English version of First Love or Distance. Sadly, Utada’s latest release proved to be exactly what was promised – a bland combination of stereotypical R&B and obnoxious club songs. Brilliant vocals and delivery saved a select few such as Come Back to Me or the title track, This One (Crying Like a Child), but the majority of tracks failed to excite those who highly anticipated this album.

Loyal, English-speaking fans of Utada were most certainly put off by how explicit and tasteless Utada’s lyrics could be, such as “Sexy stiletto boots; tight jeans no panties on; oops did I turn you on?” in Poppin’ or “When I’m alone at night, I sit and fantasize;…doing my nine to five, I’m thinking six and nines” in Dirty Desire. Few melodies impressed as well, especially with the highly repetitive On and On literally just droning away and the bulk of her R&B ballads feeling like recycled versions of radio hits. As Daniel Robson of The Japan Times stated, “Is this what it takes to find Stateside success? Whoring yourself both musically and lyrically?” And while that certainly seems true given the current crop of successful artists in America, Utada certainly didn’t sell herself out completely with older classics Simple and Clean and Sanctuary serving to be a reminder of the genius Utada is capable of manifesting.
Amongst the few standout tracks, Merry Christmas Mr. Lawrence – FYI perhaps proved to be the most intelligent track Utada produced for her latest release. An adaptation of Ryuichi Sakamoto’s composition, the combination of oriental and western elements could well have provided the direction needed for Utada’s album. A melodic version of the philosophies displayed in Kiss and Cry should have inspired her to bridge the gap between the East and the West. Instead, the haunting failure of Exodus intimidated Utada into playing it safe, thus avoiding the avant garde stature for her commercially-focused album, This Is The One.
It could have been a valuable move to cement her name and win over legions of loyal fans. Had she captivated a large enough audience, certainly she would be granted the freedom to steadily weave her magic through the American market. Instead, This Is The One did the complete opposite, ironically selling a mere 16,000 units in America compared to the 55,000 units managed by Exodus. Fans of the album have frequently argued that the result was due to poor marketing and promotion; her American audience even insisting her music was fresh. But was it really? To the veteran Utada fan, it was easy to tell that This Is The One is a far cry from what she is truly capable of. Exodus may have been a little too inaugural, but it stayed true to Utada’s innovative aptitude. For such a visionary artist, the title of this lacklustre affair is correct in only one aspect; this is the one you should forget.
Rating: 




CD Cover
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Japanese Tracklist:
- On and On
- Merry Christmas Mr. Lawrence – FYI
- Apple and Cinnamon
- Taking My Money Back
- This One (Crying Like a Child)
- Automatic Part II
- Dirty Desire
- Poppin’
- Come Back to Me
- Me Muero
- Come Back To Me (Seamus Haji & Paul Emanuel Radio Edit)
- Come Back To Me (Quentin Harris Radio Edit)
US Tracklist:
- Come Back to Me
- Me Muero
- Merry Christmas Mr. Lawrence – FYI
- Apple and Cinnamon
- Taking My Money Back
- This One (Crying Like a Child)
- Automatic Part II
- Dirty Desire
- Poppin’
- On and On
- Simple and Clean
- Sanctuary (Opening)
- Sanctuary (Ending)
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Biased review.
If you are gonna give 1.5 stars to This is the One you have to give 0 stars to Boa’s new album and anything from Brittany Spears, Christina Aguilera,Beyonce, Rihanna and Madonna in the last 5 years also because those are all mainstream pop albums in the same ilk as TITO that couldn’t hold a candle to this.
I feel this is a heavily biased review based on your jealousy of Utada and a deep seeded hatred for anything that is American.
Jealous? Hardly…deep admiration sounds more like it. I just happened to dislike this album. As for my ‘deep seeded hatred for anything that is American’, where did you get that idea? I find it sad that when people like you run out of arguments to make, you simply turn everything racial. Just because I feel that the mainstream American pop scene has become stale, it doesn’t mean I automatically hate America. C’mon man, grow up. The point I wanted to get across was the fact that extremely talented artists like Utada have the potential to contribute something new, not just become another generic artist.
Oh, and just in case you didn’t know, it’s spelt ‘Britney Spears’ ;)
I actually thought the album wasn’t all that bad; sure it wasn’t a master piece due to the second half of the album but it did what I think Utada set out to achieve; to be a pure poppy album that attempted to reach to the masses. Whether it did that is another story.
I do agree with many points brought up though. I did think songs like Poppin and Dirty Desire were utter rubbish and that Exodus’s failure was probably not because of the style but it’s commercial promotion.
Personally I like them both and would rather buy This Is The One over 99% of the other poppy crap in the American music market.
Even though I’m a die-hard Utada fan, I’d probably still avoid This Is The One. But hey, if you’re enjoying it then that’s great. Maybe it’s just the stubborn fans of her J-pop having a hard time acclimatizing to her American works?
>And while that certainly seems true given the current crop of successful artists in America
True, America is at a low point musically. Can you imagine if the musical brilliance of the Woodstock era ever returned? Or the 80’s British New wave that so many Chinese bands are trying to ape now, but haven’t come up with anything great? Asian wannabe’s current pittance of a chance would be essentially fall to zero
Definitely. Can’t wait for someone to come and revolutionise the American music scene again. I’m tired of listening to songs that sound the same but are just performed by different artists.
Lovely piece. I agree for the most part. This album definitely failed to meet expectations. Utada, while she stated that she wanted to do a standard pop album, didn’t have to sacrifice originality. I enjoyed Come Back to Me and Merry Christmas Mr. Lawrence – FYI, but the others are either passable or mediocre.
It’s nice seeing articles from you again, sljinu. I hope this means your life has calmed down and you’re happy now :)
Hey octocoffee! Yep, definitely true. She definitely could’ve done better. Also, yep, I’m feeling better at the moment! I need to drop by in the forum again sometime. I’ve actually been meaning to do this article several months ago…it feels a little dated now xD